Over
the hill in an isolated part of Missouri appears a light, its origins unknown, coming
from seemingly nowhere. The ball of light can be seen on chance evenings deep in
Ozark country, bounding down an abandoned road. In the Devils Promenade region of
the Ozarks, falling between Missouri and Oklahoma, locals all know about the
phenomenon known as the “Spook
Light,” the origins of which date as far back as the 1830s.
Laura Shipley, a
photographer and native to rural Missouri, captures the essence of the Spook
Light legend in her 2013 photographs, “In the Ozarks There are Lights and False
Light.” While some Ozark residents go searching for the mysterious glow of the
Spook Light, others feel threatened or frightened by its presence. Shipley’s
work, in her collection of photographs titled “Devils Promenade,” ties together
folklore, oral history, and fictional stories from the area, bringing light to
the inhabitants of this isolated community.
“In the Ozarks
There are Lights” and “False Light” are
two pieces included within the “Women to Watch—Organic Matters” exhibition
currently on display at the National Museum of Women in the Arts (NMWA). “Women
to Watch” is a biennial series presented by the museum that features emerging
or underrepresented female artists from around the globe. For “Organic Matters,”
NMWA staff selected 20 pieces representing 13 artists, all of whose work
focuses on the theme of nature. From photographs to drawings and sculptures to
video, these 13 women all bring a variety of perspectives on the complex
relationship with the natural world.
“Super Natural,” a second exhibition
presented concurrently with Women to Watch—Organic Matters, explores historical
and contemporary interpretations of nature. Separated into three distinctive categories—flora,
fauna, and Mother Earth anew—more than 50 works created by 25 female artists
are featured in the exhibition that asks museum visitors “what is natural?” Pieces
on display range from the traditional to the avant-garde: created in 1719, more
than 26 engraved images from Swiss artist Maria Sibylla Merian hang in the
gallery, depicting up-close compositions of species native to Suriname; Sharon
Core, a contemporary photographer from the United States, meticulously creates and
photographs realistic-looking roses from pigs’ ears (as featured in her 1997
piece, “Single Rose”).
Women
to Watch—Organic Matters and Super Natural are on display at NMWA through
September 13. Additional information about the exhibitions can be found on the
NMWA website: http://nmwa.org/exhibitions/organic-matters and http://nmwa.org/exhibitions/super-natural.
NMWA was
incorporated as a private, nonprofit museum in 1981, opening its doors to the
public in its current location on New York Avenue in 1987; NMWA is the only
museum in the world whose sole focus is on celebrating the accomplishments of
female artists. The Junior League of Washington has been associated with NMWA
since 1983; today, 24 women from the League serve as visitor experience
volunteers, staffing the information desk, leading conversation-piece
discussions and tours, and supporting the museum at a variety of events.
Please contact
NMWA Committee Chair, Lori Vitelozzi, at lori@rcn.com with any
questions about the committee.
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